Neo-Formalist Circle
History
The impetus which led to the formation of the Neo-Formalist Circle may be traced back over thirty years, to the end of the 1960s. In the late 1960s, British Slavists, inspired, inter alia, by Victor Erlich’s seminal work, Russian Formalism, began to look back to, and to rediscover, the work of the Russian Formalists. Much of their work lay buried and long forgotten. For political and other reasons many of their writings were unavailable, as most of them had not been republished, let alone translated. At the beginning of the 1970s, on July 1-2, 1970, a group of British Slavists gathered at a country house in Northamptonshire, U.K., to begin this work of rediscovery. The Neo-Formalist Circle, organized then and for the next seven years by Michael O'Toole, attracted at first only about ten participants. All the papers (or more informal talks) focused on Russian literature, but the future trends of the Circle were already apparent. The papers were primarily exercises in practical criticism, reapplying Formalist methods not only to offer new readings of canonical texts (A Hero of Our Time, Chekhov’s The Student, The Bronze Horseman), but also to identify the ‘literariness’ of these works, the nature of the literary fact itself. Presented in counterpoint and as a complement to such analyses was a theoretical discussion of the paths from Formalism to Structuralism (by O'Toole), which also initiated the process of jntroducing the then recent ‘Soviet’ Structuralism (the Moscow-Tartu school) to a British audience. (This latter strand was to be further developed in a paper given to the Circle’s second meeting, later the same year, by another of the prime movers in our early years, Ann Shukman, who offered an account of Lotman’s Lectures on Structural Poetics). Another central component in the first and subsequent meetings was the ‘collective analysis’ - a group discussion of a short piece (usually poetry).
The mid-1970s saw two major changes in the orientation of the Circle. Joe Andrew and Chris Pike began running the Circle from Keele University, and, in 1976, its journal, Essays in Poetics, appeared for the first time. These basic patterns were to carry on for most of the next fifteen years, with the Circle meeting twice every year, and the journal appearing with equal regularity. In 1990, Robert Reid replaced Chris Pike as co-chair, and they remain the joint co-ordinators of the Circle’s work. They also remain joint editors of Essays in Poetics, which since 1995 has appeared as an annual yearbook.
Against the background of the many changes in the world of higher education in the UK, to say nothing of the major changes in the world of Slavistics, the work of the Circle has had to be modified. From the late 1990s the meetings were cut back to occasional gatherings, primarily of an anniversarial nature, with major international conferences held in 1999, to mark the bicentenary of the birth of Aleksandr Pushkin, in 2000 to mark the centenary of the birth of Andrei Platonov, and in 2002 to commemorate 150 years since the death of Nikolai Gogol. Each of these conferences has led to significant publications, either with Rodopi, who have already published two of three volumes devoted to Pushkin, or in Essays in Poetics itself, with two volumes on Platonov, in 2001 and 2002, and two volumes on Gogol, in 2003 and 2004. The regime by which the Circle and its journal operate may have shifted, but we remain true to the foundational principles of thirty-ish years ago. Our chief concerns remain the primacy of the text, our main focus is Russian literature, but we continue to evolve and adapt, and to incorporate new approaches.
In September 2004 the Neo-Formalist Circle met in Oxford to mark 100 years since the death of Anton Chekhov. Around 30 scholars from around the world participated. One volume of the conference papers has already been published (Essays in Poetics 30, 2005: Aspects of Chekhov) and the second is about to go to press. We are also very pleased to include on this site ‘Anton Chekhov in English, 1998-2004’, a bibliography by Peter Henry (new version 2008) . This comprehensive work, containing some three hundred entries, is an invaluable research resource on the writer for students and specialists alike.
In September 2006 a conference was held on "Turgenev and His Contemporaries". In September 2008 a conference was held on "Aspects of Dostoevsky"
Conference 2010: Tolstoy 100 Years On
The next meeting of the Neo-Formalist Circle will be to commemorate 100 years since the death of Lev Tolstoy, and is called ‘Tolstoy 100 Years On’. This conference will take place on 13-15 September 2010, at Mansfield College, Oxford. [Booking Form]
Provisional Programme [download]
Monday 13 September
12.30 Lunch
1.30 Panel I: Neo-Formalist Approaches
- Joe Andrew (Keele): Father Sergius: A Neo-Formalist Analysis
- Eric de Haard (Amsterdam): Tolstoy’s Relationship with Poetry
- Helena Goscilo (Ohio State): Tolstoi’s Breasts
- Audun Mørch (Oslo): Tolstoi’s Anti-romantic Chronotope: The Sevastopol Stories
- Willem Weststeijn (Amsterdam): Tolstoi in Tolstoi’s Fiction
4.00 Tea
4.30 Panel II: Theoretical Issues in Tolstoi
- Richard Peace: The Aesthetics of Feeling: Tolstoi’s What Is Art?
- Andrzej Dudek (Kraków): Tolstoy’s Urban Anthropology
- Peter Grzybek (Graz): Tolstoi’s Prose Language: A Case Study of Sentence Length and Text Difficulty
- Peeter Torop (Tartu): Leo Tolstoy and / in Russian Theory (1920-1930s)
6.30 Dinner
7.30 Collective Analysis of The Kreutzer Sonata led by Robin Milner-Gulland (Sussex) and Olga Sobolev (LSE)
Tuesday 14 September
8.00 Breakfast
9.30 Panel III: Anna Karenina
- Irina Makoveeva (Vanderbilt): Mythologizing Anna Karenina
- Deborah Martinsen (Columbia): Love and Toothache in Anna Karenina
- Robin Feuer Miller (Brandeis): Tolstoi’s ‘About Mushrooms’ (Anna Karenina and Chekhov)
11.00 Coffee
11.15 Panel IV: Tolstoi on Stage and Screen I
- Cynthia Marsh (Nottingham): Bridging Cultures? John McGahern’s The Power of Darkness
- Christine Stam (Surrey): Anna Karenina on the English Stage in 1914
- Alexandra Smith (Edinburgh): Reading Tolstoi through the Postmodern Lens: Petr Fomenko’s ‘War and Peace. The Introductory Parts of the Novel’ (2001) as a Collective Collage
1.00 Lunch
2.00 Panel V: Tolstoi on Stage and Screen II
- Sarah Hudspith (Leeds): The Caucasus Theme on Page and Screen: A Dialogue of Inversion in Tolstoi and Makanin
- Olga Sobolev (LSE): The Resurrection of Tolstoi on the Soviet Stage
- David Gillespie (Bath): Mikhail Shveitser’s Resurrection: Literary Translation or Thaw Allegory?
4.00 Tea
4.30 Panel VI: Tolstoi and Others
- Jane Briggs (Birmingham): A Tale of Two Centenaries: Elizabeth Gaskell and Lev Tolstoy
- Nel Grillaert (Ghent): Dostoevskii’s Zosima and Tolstoi’s Father Sergius: literary representations of starchestvo
- Rose France (Edinburgh): Marriage and the Self in Tolstoi’s Family Happiness and Chekhov’s Three Years
- Susan Layton (Glasgow): Tolstoi and Lidiia Veselitskaia’s Mimi at the Spa: the Fin de Siècle Tourist Adulteress
- Justin Doherty (Dublin): The Experience of War in the Works of Tolstoi and Gaito Gazdanov: Influences and Parallels
7.00 Dinner
Wednesday 15 September
8.00 Breakfast
9.00 Panel VII: War and Peace
- Jane Gary Harris (Pittsburg): Ages, Stages, and the Culture of Aging in War and Peace
- Katalin Kroó (Budapest): The Poetics Of Modelling the Future in War And Peace (Forms And Meanings)
- Derek Offord (Bristol): Francophonie in Editions of War and Peace
- Donna Tussing Orwin (Toronto): Facts and Fiction in Tolstoy’s Account of the Battle of Borodino
10.45 Coffee
11.00 Panel VII: The Power of Ideas in Tolstoi and Others
- Robin Aizlewood (UCL): Tolstoi’s Conceptualisation of Time
- Otto Boele (Leiden): ‘My spiritual life is not at all in the best spirit ...’: John van der Veer and Lev Tolstoy on Conscientious Objection
- Tony Briggs: The Dark Spirit of Leo Tolstoy
- Irina Reyfman (Columbia): Tolstoy the Wanderer and the Quest for Adequate Expression
- Kevin Windle and Elena Govor (Australian National University): Two
Unconventional Tolstoyans and Their Impact in Australia
1.00 Lunch and Departure
The Neo-Formalist Circle's activities are co-ordinated by Joe Andrew.
